Skip to content

Tag: arabtheater

Episode 199 [in English]: Sarah Bitar

Sarah Bitar is an actor, writer, and teaching artist from Lebanon. Since graduating from the Stella Adler School of Acting, she has been living and creating in NYC. Sarah joined us to talk about her experiences in both the Lebanese and New York theater scenes, and the relative challenges of finding space, funding, community, and consistency in each. 

Sarah mentions her recent/upcoming projects including:

  • Stockade, a thriller film directed by Eric McGinty, in which Sarah plays a Lebanese painter in NYC–amidst her artist visa application process–who takes on a job delivering a mysterious parcel.
  • Diss Oriental, a play co-written with Lama el Homaissi, which unpacks stereotypes of Arabs in Western media through a futuristic post-contact lens.
Comments closed

Episode 172 [in English]: Amir Aram Ronaldo Returns

This week, Alia, Nadia, and Ellie joined to catch up with Armenian-Palestinian-American Artivist Aram Ronaldo, who you might remember from the “Land Back episode.” This time, we focused on Aram’s work in theater, from the MENA-focused Golden Thread Productions in the Bay Area, to the wonderfully queer “Camp Morning Wood: A Very Naked Musical” in New York. We discussed the logistics of theater reopening (naked or not), how alternative companies may be more adaptable to safe practices, and what aspects of virtual/hybrid performance are here to stay.

Aram also talked about the challenges of shifting deep-seated beliefs from anti-vaxing to Zionism, and their zine project focused on Palestinian futurism. We also discussed the ways in which the conversation on Palestine in the US has shifted (and not), how the Black Lives Matter movement has primed the public to overhaul their beliefs, and the distinction between institutional and social change.

 

Leave a Comment